HomeFestspielzeitSeebühneMusiktheaterKonzerteSchauspielJunge Festspiele10:01 Uhrthe magazine of the Bregenzer FestspieleSommer am See – Ein Ausblick auf die Bregenzer Festspiele 2025Maria Gnann spricht mit Florian Amort über Geschichten und die Höhepunkte der kommenden FestspielsaisonSchrauben, schleifen, streichen: Frühjahrsputz auf der SeebühneFrühjahrsputz auf der Seebühne„Ignorance is bliss“On Fate, Guilt, and Free Will: Director Andreas Kriegenburg in an interview about George Enescu's Œdipe. Opernguide: Der FreischützTauchen Sie ein in die Welt von Der Freischütz: In kurzen Audios erfahren Sie mehr über die Oper, die Inszenierung und die Technik der Seebühne“I’m driven by a playful love for detail“When clothes make people: For Der Freischütz, costume designer Gesine Völlm creates characters with personality.When fabrics tell storiesMasterful craftsmanship: A look inside the costume atelier of the Bregenzer FestspieleNo Prisoner Be – Emily Dickinson unleashedPoetry as an Escape from the World: Composer Kevin Puts and his top-class team bring Dickinson's poetry to the stage.Strong pleas for legendary womenFrom shadows into light: Conductor Elim Chan and the Wiener Symphoniker present Mel Bonis' Trois femmes de légende.The vastness, wind and wistfulness of the NorthAbout the storms of the heart and the subtle voices of the landscape: soprano Hedvig Haugerud on a special musical evening.“The truth is, we always struggle for words“From the counter to the scaffold: Ferdinand Schmalz's latest play draws on a piece of Viennese judical history.A summer hit in a frosty slumberA summer hit in a frosty slumber: Der FreischützA celebration of stories and musicAn interview with artistic director Lilli PaasikiviAn iconic outcastThomas Blondelle speaks about playing the role of the scrivener Max in Carl Maria von Weber’s Der FreischützThe myth of OedipusClassical antiquity as a source of inspiration for art: George Enescu's monumental opera ŒdipeThe power of light and poetryIn 2025, the Werkstattbühne hosts a wide range of contemporary art, joined by the US-American mezzo-soprano Joyce DiDonato. A lesson in onstage essentialsIn the masterclass with Lilli Paasikivi and Jaako Kortekangas young singers work on Gioachino Rossini’s La CenerentolaWhere morals collapse and language dancesFerdinand Schmalz' bumm tschak oder der letzte henker celebrates its world premiere as a co-production with the Burgtheater in Bregenz. Football instead of magic bulletsBrew a potion with Max to help him aim and accompany Agathe through the cityPersonalities in oils and acrylicsPaintings by artist Vivian Greven accompany the productions of the 2025 festival summer
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